Sanya Kantarovsky’s exhibition at Palazzo Loredan extends the artist’s interdisciplinary practice with site-specific interventions engaging with the architecture of this historical site. The exhibition will encompass a group of paintings, ceramic works, and a sculpture made in collaboration with a Murano glass studio. This new body of work deepens an ongoing throughline of Kantarovsky’s inquiry into humanist, art historical themes of spirituality, alienation, and vulnerability within the tradition of the painted figure.