VeneKlasen, New York, is pleased to present Raphaela Simon: On the Street, the artist's first solo exhibition in New York in over eight years, featuring a selection of recent paintings and sculptures.
VeneKlasen, London is pleased to announce Ce Roser: Running with the Sun, Works 1961–2014, an exhibition of paintings and works on paper by the centenarian, New York-based artist (b. 1925, Philadelphia). Running with the Sun is Roser’s first solo exhibition outside the United States in over six decades, and her first in Europe, tracing her remarkable contribution to the language of abstract painting over more than five decades.
VeneKlasen is pleased to announce Issy Wood: Self-Portraits at The National Portrait Gallery, London. The exhibition is the first dedicated presentation of the artist's self-portraits and also launches The National Portrait Gallery's new contemporary program, Artist Focus.
This Must Be the Place, exclusively presented in the Whitechapel Gallery's historic Assembly Room, brings together newly commissioned or recent works by 23 contemporary artists, including Brett Goodroad, in a special exhibition mounted to mark Whitechapel Gallery’s 125th anniversary.
The George Economou Collection presents The Way We Live Now, its first contemporary group exhibition, with works culled solely from its holdings and the first of its kind within the exhibition program. The exhibition is co-curated by Hilton Als, Pulitzer Prize winning writer, and Ann Philbin, director emeritus of the Hammer Museum. The Way We Live Now features Andy Robert and Florian Krewer among others.
VeneKlasen is pleased to announce Florian Krewer: woven thin at the Musée d’Art Moderne de Paris, the artist’s first solo exhibition in France. The exhibition brings together sixteen monumental paintings installed inside the permanent collection display, including several previously unseen works. Florian Krewer: woven thin follows the donation of several of the artist's works to the museum. Hung in a dense and closely conceived display, they form a rich pictorial panorama reflecting the intensity of the artist’s practice, offering a sense of total immersion into his pictorial universe.
Sanya Kantarovsky’s exhibition at Palazzo Loredan extends the artist’s interdisciplinary practice with site-specific interventions engaging with the architecture of this historical site. The exhibition will encompass a group of paintings, ceramic works, and a sculpture made in collaboration with a Murano glass studio. This new body of work deepens an ongoing throughline of Kantarovsky’s inquiry into humanist, art historical themes of spirituality, alienation, and vulnerability within the tradition of the painted figure.
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